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Amar Talwar
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A goalkeeper in mid-kick on a football pitch, in front of a packed stand of spectators and old advertising boards.

An India that is no longer there

Black and white photographs of people across India,
made on film in the 1970s and 80s.

With forewords by Manjula Padmanabhan and Lillete Dubey

How the book came about

Chapters

Two smiling girls in head scarves holding young goats, with a small child peeping up in front of them.

Chapter one

The age of innocence

Children before the world has got to them. Easy smiles, open faces and nowhere in particular to be.

A boy in a checked shirt smiling shyly from a dark wooden doorway.

Chapter two

When childhood was a burden

Children, and girls most of all, doing work that should never have been theirs.

People and buffalo walking down a dusty country road between fields and tall palm trees.

Chapter three

Belonging

People who belong to the land around them and look like part of it.

A woman seen from behind, sitting on a large tied-up sack on a dusty street.

Chapter four

Pathways life offers

Roads and streets from a time when few people owned a vehicle and the traffic was mostly feet and bicycles.

An old man in a turban leaning on the window of a bus, looking straight at the camera.

Chapter five

Presence

Faces that look straight back at the camera, with nothing to explain.

A man lying on the grass in a park, his head on a bag, reading a newspaper held up over his face.

Chapter six

The stillness of time

A slower pace. Time to stop, sit down and let the day go by.

A man in a cap sitting alone on a hillside between two bare trees, hills fading into the distance.

Chapter seven

Solitude

People alone with their thoughts, saying nothing at all.

The silhouette of a man carrying a load on his shoulder, walking under power lines at dusk.

Chapter eight

Fortitude, grit, endurance

The strength it takes to get through an ordinary day, and how rarely anyone notices it.

A man in a vest shaving at a mirror on a carved stone balcony.

Chapter nine

Where lives meet

Work, talk and company, wherever people come together.

A smiling girl in flip-flops walking down a dusty path, balancing a metal pot on her head.

Chapter ten

Return to innocence

Back to the children, where the journey began.

Amar Talwar sitting on a wall with a camera and a long lens, his camera bag beside him and a domed tomb behind.

Amar Talwar

Amar Talwar was taking pictures long before anyone paid him for them, and turned professional in 1981. Through the 1980s, freelance assignments took him into villages and small market towns, to camel fairs and along empty highways. He photographed the people he met there with real warmth, and they smiled back. Later the stage, and then films, took over his life, and the negatives were packed away. He still crosses the country by motorcycle.

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The photographs

Shot on film

Every picture began as a black and white negative. There was no screen to check and no second look. Rolls went off to a lab, and it was days before anyone knew what had come out.

Nothing staged

None of it was set up or polished afterwards. He shot what was in front of him, quickly and honestly, and caught people as they were on that day.

Another India

Quiet streets and an unhurried cyclist. The country in these pictures is only 35 to 45 years away, and it has almost gone.

The story

An old film camera lying in the grass with its strap, a lens cap and a notebook beside it.

How the book
came about

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A bearded man looking straight into the camera, washing hanging on a line behind him.

Amar Talwar

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From the road

Pushkar, 1981

Up before dawn for silhouettes against the sky, then a climb up a steep hillside for a view from above.

Between Madurai and Kanyakumari

He got off a bus to photograph a boy minding goats in a field, stepped on sharp stubble and limped for days. He still thinks it was worth it.

Neela Gumbad, Delhi

A rainy day at a busy roundabout, and a small girl with an empty plate waiting for a gap in the traffic.

Nizamuddin

Abdul, the rickshaw driver who took him round the neighbourhood whenever he felt like going out with a camera.

Bhadrachalam to Chennai

A boy on a train in the early 70s, probably the oldest picture in the book. He would be an old man by now.

The streets of Delhi

Days off spent riding round the city on a two-wheeler, camera bag over one shoulder, looking for ordinary people.

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We'll write once, when the book is out.

We'll only use these to tell you about the book.

Men stacking woven baskets beside a large brass pot, with an old domed tomb behind them.